Karl Dickey and Liam Rowland |
While not
every What You Will has MCs, Karl Dickey and Liam Rowland volunteered for the
task as part of their talent. Clad in uniform dinner jackets and bowties,
sporting sunglasses and fancy hats, this hysterical pair introduced each of the
twenty-seven pieces put on during What You Will. Both Karl and Liam are
talented musicians, so they frequently introduced their peers in song. For
example, before Noël Grisanti and Maggie Doyle performed the famous unpinning scene from Shakespeare’s Othello, Liam and Karl threw out a couple jokes and performed the
“Othello Rap” from the Reduced Shakespeare Company’s The Complete Works of William Shakespeare (Abridged). Our MCs flew
by the seat of their pants, providing hilarious, often improvised,
introductions for their peers.
Hugh Raup "hypnotizes" Counselors into Contortion |
As previously mentioned in this blog, our campers this session are a particularly musical
bunch, but it has never been so apparent as at What You Will. Be it performing
original songs, covering well known favorites, or mashing up popular songs to
create something new, our campers wowed us with their creative, instrumental, and vocal prowess. In addition to
musical abilities, many campers revealed their varied dance abilities. While we
saw some magnificent traditional pieces, such as Caroline Cromwell’s ballet,
some were refreshingly less conventional. Cyler Winnie did a modern robot dance
fluidly, while Elise Ammondson did her own soft shoe/ hard shoe mashup Irish
jig take on “Cotton-eye Joe.” Some of our campers decided to doff conventional
talents in favor of physical feats. Hugh Raup decided to amaze his fellow
campers by doing a series of contortions that culminated in the “hypnotization”
of four counselors for a group number.
Carmen Paddock Performs a Monologue |
Some of the
scenes that were being performed were original pieces written by our very own
campers. Elizabeth Williams, Annalise Kiser, and Rachel Poulter-Martinez each
wrote different pieces. Annalise chose to read her own work aloud while Elizabeth and Rachel had
given scenes to their peers and asked them to perform staged readings of them.
Both Rachel and Elizabeth acted as directors for their scenes, and took the time before the
show to gather props to bring them to life. In performance, the pieces were thoughtful,
dramatic, and dark, and they well harnessed the talents of their peers. It was
lovely to see this facet of our campers’ talents on display. It was interesting
to see the fruits of the directorial positions that some of the campers took.
The strong
group energy that resonates during each camp activity has been remarkable.
During many of the different musical pieces, the audience members would often
chime in by clapping, snapping, or even stomping to the beat. Always respectful
of the onstage performer, they got involved only they were encouraged to,
always adding to and not detracting from the piece. This sense of group
camaraderie was particularly tangible during Hugh Raup’s performance of
“Mariner’s Revenge” by The Decembrists. He sang it with no instrumental
accompaniment, so, taking the lead of counselor Dan Stevens, the campers beat
out a percussive line to add to the song.
What
You Will has consistently been
a lovely night where all of the members of camp get together to watch
and
support each other’s abilities. What You Will is voluntary, so everyone
who
performed wanted to showcase and share their accomplishments with the
camp. It
is a beautiful evening of support, humor, creativity, and appreciation,
and it
demonstrates what a large pool of talent our directors at their disposal
to
incorporate into our upcoming productions. Though What You Will was a
private, camp-only event, our performances of Shakespeare's 1 Henry VI and Much Ado About Nothing as well as Beaumont and Fletcher's A King and No King premier
on Sunday, August 5th for a free and open to the public one day event.
Please join us to see more of what our talented campers can do!
--Madeleine M. Oulevey
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