Muslima Musawwir
Muslima is a first-time camper from Richmond, Virginia. Next year, she will be attending Shenandoah University.
What role do you play? Olivia in Twelfth Night
How are you similar to your character? Dissimilar?
We’re not similar in all of the people that she’s lost; she lost her father and brother, and she’s numb emotionally throughout the majority of the play. We are similar because in order for her to be so numb, she must have loved her family, and I have a lot of love for my family. Also she takes control of everything, and I’ll say this – I’m the leader! And she’s fascinated with the whole idea of love, the whole thought of love in general, and I am too.
How did you find out about ASC Theatre Camp/why did you choose to spend your summer here?
I came to see Much Ado about Nothing, and I got one of the flyers, and I was interested--I wanted to do it! Last summer I did training with Shakespeare also, but I didn’t get a lot out of it. So I wanted to get more training since I’m going to college this year.
How does ASC Theatre Camp compare to other productions you’ve been in?
For me, you get more out of ASC Theatre Camp because you actually get the workshops. It’s not just the plays, you get masterclasses and pre-show, and then you get to see actors doing professional shows. We’re learning from people who have been doing Shakespeare for years.
What it your favorite part of rehearsal?
My favorite part of rehearsal is when -- every day we all get in a circle before we start practice, and we check-in: you can either do an action or emotion, and you can see how everyone is doing. Then we set goals for what we want to do throughout rehearsal; it’s like setting a standard of things you want to get done.
Favorite workshop/masterclass?
I would say Mask (with Tom DuMontier) and Devising (with Sara Holdren), because both were about letting yourself go and freeing your thoughts and reacting to something without actually thinking about it.
How would you describe the Session 1 group?
Extreme, adorable, excited, and innocent and…demons!
If you could give one piece advice to the camp before the performances on Sunday, what would it be?
To just breathe, enjoy yourself and everything else will work out!
Jon Freesen
Also a first time camper, Jon of Staunton, VA will be working on his own film next year, a modern-day adaptation of A Christmas Carol called Humbug.What role do you play? Romeo in Romeo and Juliet
How are you similar to your character? Dissimilar?
I’ve always been, for as long as I can remember, hopelessly romantic. I’ve been a romantic since I was very, very young, so I can relate to him in that sense. I feel like I would enjoy all of the same activities as Romeo. He’s not too much into sports, he doesn’t carry a sword with him, I kinda like to think he’s a musician, he probably writes shitty poetry which I can relate to.
How did you find out about ASC Theatre Camp/why did you choose to spend your summer here?
I found out about it either through going to see shows or through my sister. I wanted to do it last year, but it was either finish my Eagle Scout projector do this.Tthe deadline for Eagle Scout was at 18th birthday, so I decided to not do this instead. This is my first and last summer here.
How does ASC Theatre Camp compare to other productions you’ve been in?
I grew up in a very artsy family. My first play was at five, when I was in The Magician’s Nephew; after that I did a lot of stuff with ShenanArts, and my sister has directed a few plays that I’ve been in with her. Most of them have been great experiences. For a while I chose to take a break to do other things, may have been two years ago. I do love it.
People know what they’re doing with this. The people leading really know what they’re doing and are very passionate, and they know what it’s about. A lot of people in theater don’t know what they’re doing, and it’s frustrating being in productions where they don’t understand what they’re doing and don’t care about it. This is my first Shakespeare show.
What have been your favorite parts of camp?
There’s always that moment when it’s late in the rehearsals, and you realize that everything’s coming together with Romeo and Juliet and with the pre-show, and you just see it all and realize this is going to work! It’s really kind of extraordinary. The Blackfriars Playhouse stage is hallowed ground. From time to time when someone mentions, “we’re going to be performing this on the Blackfriars Playhous stage,” it’s almost surreal. Some serious geniuses and masterminds have worked on the stage where we are. It’s an honor, but it’s intimidating.
Favorite workshop/masterclass?
Probably either Dance (with Denise Mahler), which surprised me because I am not a dancer, and maybe Voice(with Alli Glenzer). A lot of the stuff I’d heard before, but the workshops helped me understand it better.
How would you describe the Session 1 group?
They’re pretty goofy, but I get a sense that all of them, even some of them that were “sent” by their parents, they’re still serious about it and are starting to feel the passion. Just about everybody’s pretty friendly.
If you could give one piece advice to the camp for the performances on Sunday, what would it be?
Just enjoy it! Have fun in what you’re doing and love every minute of what you’re doing, love it and also try to live it. Don’t just say lines, be what you’re saying, live what you’re saying.
--Emma Lo
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